Ken Burns discussing His Latest American Revolution Film Series: ‘We Won’t Work on a More Important Film’
The acclaimed documentarian has evolved into more than a historical storyteller; he represents an institution, a one-man industrial complex. When he has project premiering on the small screen, everybody wants a part of him.
He participated in “countless podcast appearances”, he notes, approaching the conclusion of his extensive publicity circuit comprising four dozen cities, numerous film showings and innumerable conversations. “With podcasts numbering in the hundreds of millions, I feel I’ve participated in a substantial portion.”
Happily Burns is a force of nature, as loquacious behind the mic as he is productive while filmmaking. The veteran director has appeared at locations ranging from historical sites to The Joe Rogan Experience to discuss one of his most ambitious projects: The American Revolution, a monumental six-part, 12-hour documentary series that dominated ten years of his career and premiered currently on public television.
Timeless Filmmaking Method
Comparable to methodical preparation in today’s rapid-consumption era, Burns’ latest project intentionally classic, reminiscent of traditional war documentaries than the era of online content and podcast series.
For the documentarian, whose professional life chronicling strands of US history spanning various American subjects, the nation’s founding transcends ordinary historical coverage but fundamental. “I said this to my co-director Sarah Botstein the other day, and she agreed: we won’t work on a more important film Burns states from his New York base.
Extensive Historical Investigation
Burns, co-directors Botstein and David Schmidt along with writer Geoffrey Ward drew upon countless written sources plus archival documents. Dozens of historians, spanning age and perspective, provided on-air commentary along with leading scholars representing multiple disciplines such as enslavement studies, Native American history and the British empire.
Distinctive Filmmaking Approach
The film’s approach will feel familiar to viewers of Burns’ earlier work. The unique approach incorporated slow pans and zooms over historical images, extensive employment of contemporary scores featuring talent interpreting primary sources.
Those projects established Burns established his reputation; a generation later, presently the respected veteran of historical films, he can attract any actor he chooses. Appearing alongside Burns during a recent appearance, the Hamilton creator Lin-Manuel Miranda observed: “When Ken Burns calls, you say ‘Yes.’”
Remarkable Ensemble
The lengthy creation process proved beneficial concerning availability. Filming occurred in studios, at historical sites and remotely via Zoom, a method utilized during the pandemic. Burns recounts the experience with performer Josh Brolin, who scheduled a brief window in Atlanta to perform his role as George Washington before flying off to other professional obligations.
Brolin is joined by multiple distinguished artists, respected performing veterans, Domhnall Gleeson, Amanda Gorman, Jonathan Groff, Tom Hanks, Ethan Hawke, Maya Hawke, accomplished dramatic artists, British and American talent, Edward Norton, David Oyelowo, Mandy Patinkin, small and big screen veterans, plus additional notable names.
The filmmaker continues: “Frankly, this may be the best single cast recruited for any project. Their contributions are remarkable. Selection wasn’t based on fame. I became frustrated when someone asked, ‘So why the celebrities?’. I explained, ‘These are artists.’ They are among the world’s best performers and they vitalize these narratives.”
Multifaceted Story
However, the absence of living witnesses, photography and newsreels compelled the production to depend substantially on primary texts, integrating individual perspectives of numerous historical characters. This methodology permitted to show spectators beyond the prominent leaders of the founders plus numerous additional essential to the narrative, many of whom remain visually unknown.
Burns additionally pursued his personal passion for territorial understanding. “Maps fascinate me,” he comments, “and there are more maps in this project compared to previous works throughout my entire career.”
International Impact
The production crew recorded across multiple important places in various American regions and British sites to document environmental context and worked extensively with historical interpreters. These components unite to tell a story more violent, complex and globally significant than the one taught in schools.
The revolution, it contends, transcended provincial conflict about property, revenue and governance. Conversely, the project presents a brutal conflict that finally engaged numerous countries and improbably came to embody termed “mankind’s greatest hopes”.
Internal Conflict Truth
Early dissatisfaction and objections aimed at the crown by American colonists across thirteen rebellious territories soon descended into a bloody domestic struggle, dividing communities and households and creating local enmities. In episode two, academic Alan Taylor comments: “The main misapprehension regarding the Revolutionary War is that it was something that unified Americans. It leaves out the reality that it was a civil war among Americans.”
Sophisticated Interpretation
For him, the independence account that “typically is overwhelmed by emotionalism and nostalgia and remains shallow and doesn’t have the respect actual events, every individual involved and the widespread bloodshed.”
The historian argues, a revolution that proclaimed the transformative concept of fundamental personal liberties; a brutal civil war, dividing revolutionaries and royalists; plus an international conflict, the fourth in a series of conflicts between Britain, France and Spain for control of the continent.
Uncertain Historical Outcomes
Burns also wanted {to rediscover the